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nylonpicker |
strings, do you tie a knot or use ball end? |
Lead | |
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I got lazy and used a set of high tension ball end strings for the first time. I always tied em before. who's using what any why?
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tim52160 |
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I have a several years old set of la bellas ball end with black nylon strings mostly because that is what willie nelson uses.
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MikeHalloran |
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If you check the ones I have in the Buy and Sell, you will see the Mark III with D'Addario ball endswhile I tie all the rest.
Goya was the first brand to offer ball end nylon in the US around 1960.
Mike Halloran
'49 00-28G, '03 000C-16SGTNE, '03 000-15S, Backpacker Mandolin, '60s Style 0 uke, '67 D12-35, '75 D-35S, Cowboy X, Cowboy II (I think that's all the Martins) Many Guilds, Gibsons and Goyas |
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Davids Harp |
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I tie 'em on. That little twist loop and the tension keeps it tight.
David
They said, "You have a blue guitar, you do not play things as they are." The man replied, "Things as they are, are changed upon the blue guitar." -Wallace Stevens |
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Martin000 |
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Hmmmmm.......I picked up a set of those Muriel Anderson GHS strings and for the first time in my life I used the ball end trebles. They were little nubs at the
end of the nylon and were to be tied in a certain manner so that the ball end would cinch the string tight. I followed the instructions and I am impressed. It
tuned up faster and held its intonation longer than the normal ty/knot classical nylon strings. I liked it better than I expect after it took me 30 mins to tie
the strings the way the instructions read. Interesting! martin 000
Martin OMC-15e Washburn CS104CSE Aria Auditorium AF-35N Fender Squier Telecaster La Patrie Hybrid Classical A/E
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Andre Guitar |
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I've always used the tie and knot method, but mostly because I found the strings without ball ends to be of better sound quality. Although, it was a long
time ago that I last tried a ball end nylon string. Maybe they've gotten better. In the meantime I've gotten so used to tying a knot that I don't
even think about it that much.
What I find more of a pain is how much the nylon strings take to break in before they adequately keep their intonation for a sufficient length of time. One trick that I use to help that is to tune the guitar up a half or whole step after playing, right before I put it back in its case. The extra stretch helps to shorten that break-in period.
Best regards,
Andre |
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bb29slider |
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I always use the traditional tie method which does not use a knot but does use friction of the string over the rear tuck to hold it. That's what has been
done, traditionally, since before I started playing in the 60's. My first guitar a Goya G-10 came that way and so did my 2nd, a high grade Cordova WC-026
from Germany. When I ordered and finally recieved my Larrivee L-35, it came that way also. Those are the only three classicals that I ever owned and all
come to me new. I also would never use "ball end" strings because classical guitars are just like all the other acoustics in that they will do
their best and sound best with only certain strings. Sometimes it's a big pain to find out what those may be. The kind that sound the best on my L-35
Larrivee are LaBella professionals and that type and class of nylon is just not available from anyone in a ball end. I can't even buy them from any shop
in my region. I have to order them from Just Strings. But since I'm used to the tie friction method, it really doesn't
both me in the slightest. I recently had a chance to try some ball end strings on a folk guitar. I tried D'Angelico, D'addario, and LaBella. It
was my perception that they weren't up to the kind of tone I get from my L-35 with LaBella professionals.
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jscio |
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Traditional tie method.................done very poorly, I might add.
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tim52160 |
strings | ||
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I used to do like willie and keep a cheap junk guitar and put the strings on it to stretch, then put them on my good $100.oo guitar.But since i could never
tell the difference between new and old strings, i figured with my talent , just keep them till they break, lol
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aadvark |
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traditionalist here. Very happy with the medium tension, either in Savarez or Hannabach. But every guitar and player has its best string opton..
cheers, aad
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nylonpicker |
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my 000c-16sgtne seems to project more with a set of high tension strings rather than medium...quite noticable...I had the ball end break on a set of Martin
M160's so I cut them off and tied friction knots as I've do for 50 years. I mis-ordered the 160's but if the balls would hold up, I would use
them.
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MikeHalloran |
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nylonpicker wrote: Mine also prefers high tension. I never had the balls break on a set of LaBella Folksinger but they did break on some D'Addario trebles so I tend to tie everything.
Mike Halloran
'49 00-28G, '03 000C-16SGTNE, '03 000-15S, Backpacker Mandolin, '60s Style 0 uke, '67 D12-35, '75 D-35S, Cowboy X, Cowboy II (I think that's all the Martins) Many Guilds, Gibsons and Goyas |
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12barz |
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One thing I've been doing lately is a double loop on the trebles. I don't know if the composition of the strings changed, but I had several sets that
would find a way to slip out.
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